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I Sing the Salmon Home

I SING THE SALMON HOME: POEMS FROM WASHINGTON STATE, edited by Rena Priest. Empty Bowl Press, Chimacum, Washington, 2023, 275 pages, $20 paper, www.emptybowl.org.

I don’t believe in magic. I believe in the sun and the stars, the water, the tides, the floods, the owls, the hawks flying, the river running, the wind talking. They’re measurements. They tell us how healthy things are. How healthy we are. Because we and they are the same. That’s what I believe in. Those who learn to listen to the world that sustains them can hear the message brought forth by salmon.

—Billy Frank Jr. (epigraph to I Sing the Salmon Home)

Yesterday’s mail brought this delightful compendium stuffed with salmon poems. Editor Rena Priest (our current Washington State Poet Laureate) has selected 167 poems as varied as wild salmon themselves. The section titles give us a clue to the contents: “Wild, Sacred,” “Sojourn,” “Invisible Thread,” “Fish School,” “Gratitude,” “Choices,” “Vigil,” “What We Owe.” With a preface from Priest herself, and an introduction by Empty Bowl co-publisher Holly Hughes, this anthology is truly a gift.

In the preface (a rich compendium, itself), Priest outlines “the life cycle of this anthology,” and continues:

I am a Lhaq’temish woman—a member of the Lummi Nation. We are salmon people. Lummi is a fishing culture. We invented the reef net—an innovative technology dating back more than ten thousand years….In the cosmology of the reef net, the net symbolizes a womb, and the salmon are the sacred spark of life that will carry the people into another cycle. (xiv)

In the net of this collection, there is so much bounty. This, for instance, the title poem, fittingly by Andrew Shattuck McBride: [note: the last line of each stanza should be indented; if anyone knows how I fix that, please let me know!]

Winter Run, Whatcom Creek

A close friend says she had a fabulous salmon dinner
prepared by her daughter’s spouse. I have questions, ask,
“What kind of salmon?” She smiles. “The good kind.”
I cheer the salmon on.

I am not of this place, forego eating salmon. Others—my
sisters and brothers, and orcas—must have salmon to survive,
to renew their lives, their compact with these lands and waters.
I too sing the salmon home.

By choice I have no permit or pole or lure.
I receive sustenance from watching the lean clocks
of salmons’ bodies pushing against creek waters.
I cheer the salmon on.

Lines and color-infused lures hang entangled in trees’ branches.
A beefy, youngish man with a careful blank expression
sits on a bench. His young do, leashed, lolls nearby.
Beyond, on bloodied grass, two salmon pant
I sing the salmon home.

I have questions, decide finally not to ask. What do I know?
This: Along a short stretch of creek just below the noisy falls,
salmon—so close to home—swim a gauntlet. And this;
Salmon strive to live till they spawn.
I cheer the salmon on.

—Andrew Shattuck McBride

You know McBride’s name as he was one editor of the recent anthology, For Love of Orcas, from Wandering Aengus Press, and he was one of the people who encouraged Priest to do this book.

I Sing the Salmon Home contains so much lush detail, so much praise, so many ripples of words: “sweet water, sun-flecked, flung skyward” (Joanna Thomas); “tease apart the iridescent / infinite in every scale” (Shankar Narayan); “Salmon running the Sultan // River in a long silver link chain with / amethyst and ruby cabochon eggs” (Laura Da’); “Between sparse old shoreland spruce / the moon is a silver wing” (Robert Sund). With 167 poems and poets to choose from, all I can say is that making choices for this review was not easy.

And, yes, lots of poems about eating—and blessing—salmon, or, perhaps I should say, how the salmon blesses and nourishes us. So, one more short poem, this one written as a “nondominational blessing for meals and gatherings” (as we might consider this entire collection):

Water by Salmon

As life is taught by death,
and the Sun by Space,
so Clouds are taught by Land
and Rains by Place.

As Mountains are taught by Plains,
and Rivers by Lakes,
so Trees are taught by Soils,
and Elements by their Weight.

As Deserts are taught by Shores,
and Ocean Waves by Wind,
so Depth is taught by Height,
and Tides by Celestial Spin.

As Sound is taught by Silence,
and Insight by Reason,
so humans are taught by Water
and Water by Salmon.

—Phelps McIlvaine

I hope I’ve inspired you to want to hold this book in your hands. It will be in public libraries, as well as available from Empty Bowl Press’s website and your favorite independent bookstore.


And, yes, it is National Poetry Month, and what better month to be reading a poetry book-a-day? If you’re curious, you can skate back to my earlier Aprils (as I’ve been doing these poetry-book-a-day blog posts for a few years now). I also want to apprise you of the August poetry book challenge, which you can read about here—https://www.thesealeychallenge.com/—or here, at Kathleen Kirk’s blog—https://kathleenkirkpoetry.blogspot.com/2022/08/mathematics-for-ladies.html (or at ANY of her August blogposts).

Carmen Germain

THE OLD REFUSALS, Carmen Germain, Moon Path Press, P.O. Box 445, Tillamook, OR 97141, 2019, 64 pages, $16 paper, http://MoonPathPress.com

In November, 2019, it was my privilege to read on the Foothills Writers Series in Port Angeles with poets Karen Whalley and Carmen Germain. Although I had crossed paths with Germain once or twice, this was my first real introduction to her work, and it has been my pleasure to get to know her better through her poems. Rereading The Old Refusals this morning I had a sense of a long conversation about books she is reading, places she’s traveled to, paintings she’s studied. Also a visual artist, Germain brings a painter’s love of color and line to every poem. (Her sonnet, “A Coupling” — a sample image: “your hand a bloated pomegranate” — made me want to get out my journal and see if I couldn’t condense my week in a Paris apartment into something that adept.)

According to the notes, this poem uses “techniques of collage and cut-ups from random sources” (61). It made me think of a surrealist painting. It blows my mind.

The doomed queen is outwardly stately

clustering her subjects by the shipwreck–
the off-duty singer, the glassblower,
the waiter who comes to clear the plates.

Full of elegant repetitions,
she has the grin of an adman,
but no one believes the crisis is over.

Even experts lack expertise
and anyone listening in the hold
knows the flash drive’s concealed in the cake.

How at the click of a button,
can opener, batteries, and flashlight appear.
Tins of soup and bottled water,

tranquil trickling sounds,
mechanics emerging from the pirate ship
like coins spilling from a purse.

Underneath the sea bed, buildings and rusty spoons.
Evidence of so many busy street corners
so many meals on the fly.

-Carmen Germain

Big Poetry Giveaway

I plan to do the drawing on Tuesday, May 5, at Writer’s Lab. I’ll let you know results then! (See my April 13 blogpost to learn more.) Thank you to everyone who commented and emailed me!

Karen Whalley, “Family of Hard Workers”

So many poets, so little time. I barely dented my book collection, and left out so many other favorites. Next year, thirty more?

For the last day of National Poetry Month, I am pleased to recommend the poetry of my friend, Karen Whalley. I have loved Karen’s poems for nearly 30 years, ever since our mutual professor, Nelson Bentley, put us on a Castalia Reading program together. This poem, from her collection, The Rented Violin (Ausable Press, 2003), resides in the vast class of “poems I wish I had written.”

If I were giving assignments, this one might inspire us to write about what-happened, vs. what-didn’t-happen, and what that might have looked like.

FAMILY OF HARD WORKERS

I would like to forget
That I come from a family of hard workers:
Grandfather of axe handles carved
For the Georgia railroad, Grandmother
Of thirteen children flinging feed for the chickens
From a fifty-pound bag, forgive me,
I forget you. And if my father glorifies
What is, in actuality, a certain lack of choices
On the part of his relatives
Who rose at the cock’s crow
And made a day so similar to the one before it
That if someone asked what they’d done that day,
They would stand with their hands in their pockets
Then give you their one answer:
I whittled an axe handle. I fed the chickens. 
Then forgive me for not doing that, too.

Once, I kept a carved statue of a horse
On my window sill,
The right front leg crooked, like a little finger
Which made the horse seem always in motion.
It’s all I remember about the horse,
The arched leg ready to step
Into the green pastures of my imagination
And thrum with its hooves,
Churning up grass, unhaltered, unsaddled,
Its huge head rivening the wind.
Better if my family had said:
You come from a family
Where beauty matters.
Look at the horse, now,
Running for joy. 

–Karen Whalley

Finally, I can’t resist adding a link to Kathleen Flenniken’s The Far Field, with a poem by Professor Bentley: http://kathleenflenniken.com/blog/?p=1951.