Happy 195th Birthday, Emily Dickinson!

My Creative Retirement Institute class on Emily Dickinson’s fascicles wrapped up yesterday. The beauty (and the weirdness) of it was that focusing on the fascicles made it impossible for me to turn the class into “all of Bethany’s favorite E. D. poems.” In each class I asked, “What caught your eye? What do you want to bring to our attention?” As a result, we put a microscope to poems I’ve barely given a glance in the past. And everything we picked up gave us so much to talk about. It was ideal.

Today I’m having my writing group here, at my house. I’ll bake Emily’s Coconut Cake, and we’ll drink sparkling water, and read poems to one another. What could be better?

https://revolutionarypie.com/2015/01/14/emily-dickinsons-coconut-cake/

Celebrations are popping up everywhere on the Web, but here are two that made their way to my in-box:

Pádraig Ó Tuama’s On Being newsletter: https://poetryunbound.substack.com/p/you-cannot-extinguish (my only quibble with his post is that he says Dickinson bound her fascicles to send to correspondents, and though she mailed many poems with letters, I don’t believe there’s evidence for the fascicles being shared). He describes her poems and letters as a tribute and reminder of what “a deep pursuit of a vocation can do.” True!

And of course the Emily Dickinson Museum—visit this site today to see all the hoopla (including a virtual program, which you, too, can join via their registration link): https://www.emilydickinsonmuseum.org

And, do I have favorite Dickinson poems? Oh, so many!

I taste a liquor never brewed –
From Tankards scooped in Pearl –
Not all the Frankfort Berries
Yield such an Alcohol!

Inebriate of air – am I –
And Debauchee of Dew –
Reeling – thro’ endless summer days –
From inns of molten Blue –

When “Landlords” turn the drunken Bee
Out of the Foxglove’s door –
When Butterflies – renounce their “drams” –
I shall but drink the more!

Till Seraphs swing their snowy Hats –
And Saints – to windows run –
To see the little Tippler
From Manzanilla come!

(Fascicle 12, Sheet 1, c. early 1861, Miller p. 135)

 

Tomorrow evening, Dec. 11, 2025, at 6 p.m., I’m one of three featured readers at It’s About Time in Ballard. You can expect me to talk a bit about Dickinson (just try to stop me!), and to share a handful of my Dickinson-inspired poems.

 

Chris Dahl’s NOT NOW BUT SOON

I’m pleased to let you know that my review of Chris Dahl’s Not Now But Soon, winner of the 2025 Concrete Wolf Louis Award, is now posted at Escape Into Life. (Be sure to explore the links!) Chris is one of the mainstays of Olympia Poetry Network (OPN); no matter where you live, they welcome new members, and have terrific Zoom readings in addition to their in-person readings and workshops.

I wanted to share a full-length poem here, and as I happen to also be reading The Gentle Art of Swedish Death Cleaning, by Margareta Magnusson, this poem especially appealed to me. It’s perfect for this dark time of year (sunset today at 4:19 p.m.).

Aware of the Season’s Pivot

We come to the time of the year when we wake in the dark.
No shine appears on the water; the surface smothers
any reflection. We have lost our easy ways
of gauging depth.

Some years, when I head south I have asked my mother
to take my orchids for the winter. They’re a gift—
she could keep them, but she always gives them back,
afraid they’ll die. When I return, I take them home
and immediately they bloom. If only she would wait
for the cycle to complete.

Now, at her house, we talk in whispers. She’s already
organized her files and affairs, insistent
she can take care of things, even after she’s gone.
I’m all worn out with worry, she says. Now
I’m the one without faith
that the cycle will continue.

Yesterday I took the wilted flowers from the funeral
bouquet and rearranged what was left. Amazing how
certain species go on delighting with their fragile beauty,
alstroemerias, and even some chrysanthemums,
challenging us to find the language
that describes the pull of time, its
relentless gravity.

These are night thoughts, of course, but then
we have so much more night, now.

—Chris Dahl

Photo by Hiếu Hoàng: https://www.pexels.com/photo/purple-and-pink-moth-orchids-closeup-photo-1038003/

The Autobiography of Rain

THE AUTOBIOGRAPHY OF RAIN, Lana Hechtman Ayers. Fernwood Press, 2024.

Lana Hechtman Ayers is a one-woman poetry dynamo. She is the managing editor of three Pacific Northwest poetry presses: MoonPath Press, Concrete Wolf Poetry Series, and World Enough Writers. She also leads generative workshops, helps people assemble their books of poems, teaches at conferences, and writes her own poetry. To borrow the phrasing from the end of her poem, “A Blue True Dream,” her writing mantra must be “yes and yes and / illimitably yes.”  

In The Autobiography of Rain, her eleventh and most recent collection of poems, rain patters, welcome, relieving. “The rain is my best friend,” she writes in “Nineteen Things No One Knows about Me (And One They Do)”: “She knows how to keep a secret / and wash away the evidence.” Humor, sometimes, but rain also shows up hand-in-hand with grief. In “Landscape in Dreams”:

Where is it you go
when I lose sight of you in fog?
I’m certain I’ve seen you in dreams
that smell of burnt toast
On rainy days your laughter chimes
raindrops against roof gutter (27)

Oliver de la Paz uses these words to praise the book: “The fickle and atmospheric weather of losses, revelations, and heartbreak shifts and shimmers.” In poems such as “Reasons to Live,” and “On the Nature of Grief,” I was reminded that indeed this is poetry that “shifts and shimmers,”  that encompasses, becomes a voice talking back to you on a suicide hotline, sits beside you, faithful as a loved dog.

But these poems can also provide a nudge out of yourself, a gentle push toward something brighter.

“Poetry reveals there is no empty space”

Hafiz

Out of the void: dishes, dust, screens, fire fight, firefly
glimpses, tipsy kisses, too little, too much, lingering
rosemary, cups of coffee, bitterness of heartbreak, guitar
chords from the basement, implicit threat, green rage,
Stevie Wonder, Beethoven, Janis Joplin, the Kosciuszko
Bridge, windows open wide, something unforgivable,
traffic, too hot, too cold, weight squarely in my body,
wooden spoon, stream, salt of grief, loneliness, barking
dog, pearls, pencils, hand stirring the pot, books, wind,
rain furrows, moonrise, alchemy, edgelessness, yawns.
It was a Monday.

—Lana Hechtman Ayers

You can learn more about the author at her website (and you should!): https://lanaayers.com/index2.htm

The Autobiography of Rain is available at Fernwood Press, or can be ordered at Bookshop.org.

 

 

Sheila Bender’s Writing It Real

It’s my pleasure today to share Sheila Bender’s Writing It Real substack. This week’s podcast features a trio of poets, Lillo Way, Lisa Ashley, and me.

https://sheilabender.substack.com

Sheila does a great job introducing us on the podcast, but if you don’t already know all about Sheila Bender, you should. She is the author of numerous books—poetry, nonfiction, and writing instruction that really gets down to the business of being a creator. A few years back, her Sorrow’s Words: Writing Exercises to Heal Grief played a crucial role for me in healing my own grief (and I think I need to reread it). I don’t have a copy of her newest poetry book, Since Then, but am happy to put in a recommendation for her Collected Poems, 1980-2013, Behind Us the Way Grows Wider. She teaches writing, including opportunities for writing abroad in 2026. I encourage you to take a look at her substack, or her Writing It Real archive, at https://writingitreal.com/#

Bethany