Joannie Stangeland, “An Hour for Practice”

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It’s hard to say if the music of poetry creates the emotion in a poem, or if it is the poet’s emotion that creates the music.” –Kenneth Koch

Over at Joannie Stangeland’s blog, where she is offering a poetry prompt per day this month, today’s prompt is about sound. A perfect day, it seems to me, to share one of Joannie’s poems. I have two of her books on my shelf, A Steady Longing for Flight, which was (in 1995) the very first book chosen by Floating Bridge Press for its chapbook series; and Into the Rumored Spring (Ravenna Press, 2011). I am also happy to recommend her new book, In Both Hands (also Ravenna). You can read more about Joannie at this site.

Joannie wrote “Into the Rumored Spring” for a friend with cancer. Here is a poem from that collection in which the subject listens to her daughter practice her music. It is luscious to read out loud.

AN HOUR FOR PRACTICE

Thrum to the hum of her heart,
a drum — and from the next room
the boom of the bass, the chase
of the cymbal, sticks racing
a paradiddle on the snare.
Get the triangle and tambourine,
castanets clacking like the flicker
that pecks at the streetlamp, clapping
like the sound of a book snapping shut.
Let the beat bounce off the walls
while down the hall the other daughter
blows the bassoon. Scales and arpeggios,
wood in the wind, a song of the forest
here, in the house. Oh,
banish all hush.

-Joannie Stangeland

Pablo Neruda (1904-1973)

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“Keeping Quiet” by Pablo Neruda

Now we will count to twelve
and we will all keep still.

For once on the face of the earth,
let’s not speak in any language;
let’s stop for one second,
and not move our arms so much.

It would be an exotic moment
without rush, without engines;
we would all be together
in a sudden strangeness.

Fisherman in the cold sea
would not harm whales
and the man gathering salt
would look at his hurt hands.

Those who prepare green wars,
wars with gas, wars with fire,
victories with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.

What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.

If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.

Now I’ll count up to twelve
and you keep quiet and I will go.

—from Extravagaria (translated by Alastair Reid, pp. 27-29, 1974)

What I would really like to do is have you listen to my friend Madelon read this poem aloud.

Cortney Davis, “Old Men Name the Planets”

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I seem to spend an inordinate amount of time amongst nurses and CNAs these days, so I was pleased to see, on her website, Cortney Davis‘s words: “I write to honor my patients and the moments we share, and also to keep harm away—not with medicine but with memory. In my writing, nursing becomes a metaphor for how we care or fail to care for one another—our families, our neighbors, our lovers. For me nursing, like writing, is that human place in which nurturing and mystery meet.”

Here is a poem from her 1997 book, Details of Flesh, published by CALYX Books:

OLD MEN NAME THE PLANETS

Old men name the planets and their moons;
seeing birds at the feeder
they watch the empty seed pods fall
like shooting stars.

My father writes copy in his mind at night.
Sleepless, he edits, sets the type,
goes to press. By morning
his words are ghosts in the sky.

I’ve begun to read the weather.
Today named rain before the thunder,
called the time and duration,
knew which way to turn my back

against the wind. Already,
I feel it going. Soon I too
will search for words:
nimbus   stratus   cumulus —

summers from remembered summers,
the smell in the air before snow.
Snowballs in my children’s hands
will be white and distant as the moon.

Jack Gilbert, 1925-2012

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I have been telling myself, each week, that next week will be less busy; next week I will get more writing done. But each week quickly fills up with things to do: bad report cards, doctor’s appointments, eye appointments, visits to the veterinarian. Sometimes, good things: a call from an old friend, a poetry reading, a lovely lunch with my mother and sister, a choir concert. Even so, each morning I get up and try to put in some time on my novel rewrite. I pack it up and carry it with me. When I look back on these months, working on the novel will be one part of it. I have felt harassed, too busy, not joyful enough, but I already know that I will remember it differently, as a process I let myself be part of. My children’s lives; my mother’s life; my life. All good.

So, in that spirit, of “Failing and Flying,” here is an old favorite of mine, from poet Jack Gilbert.

FAILING AND FLYING

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like an antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.