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Maxine Kumin, 1925-2014

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Maxine Kumin’s poetry, rich in horses, has always been dear to me. Here, from her 1978 book, The Retrieval System, is her poem, “Late Snow”:

LATE SNOW

It’s frail, this spring snow, it’s pot cheese
packing down underfoot. It flies out of the trees
at sunrise like a flock of migrant birds.
It slips in clumps off the barn roof,
wingless angels dropped by parachute.
Inside, I hear the horses knocking
aimlessly in their warm brown lockup,
as the soul must, confined under the breastbone.
Horses blowing their noses, coming awake,
shaking the sawdust bedding out of their coats.
They do not know what has fallen
out of the sky, colder than apple bloom,
since last night’s hay and oats.
They do not know how satisfactory
they look, set loose in the April sun,
nor what handsprings are turned under
my ribs with winter gone.

-Maxine Kumin

A beautiful, brown horses in the farm during the sunrise. Rural morning scenery of Northern Europe with farm animals.

Dorianne Laux, “On the Back Porch”

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Dorianne Laux was a great favorite of mine before she chose Sparrow for the Gell Poetry Prize, before she wrote the forward for Sparrow, before I met her at LitFuse in 2013. I’ve included her poetry on the blog before, but in doing a little research today, I found an interview at a fascinating poetry site called Dive Dapper; divedapper? Anyway, click on the link to find out more. I am all the more determined to see that our paths cross again. And again.

In the meantime, here is a poem from her early collection, Awake. 

ON THE BACK PORCH

The cat calls for her dinner.
On the porch I bend and pour
brown soy stars into her bowl,
stroke her dark fur.
It’s not quite night.
Pinpricks of light in the eastern sky.
Above my neighbor’s roof, a transparent
moon, a pink rag of cloud.
Inside my house are those who love me.
My daughter dusts biscuit dough.
And there’s a man who will lift my hair
in his hands, brush it
until it throws sparks.
Everything is just as I’ve left it.
Dinner simmers on the stove.
Glass bowls wait to be filled
with gold broth. Sprigs of parsley
on the cutting board.
I want to smell this rich soup, the air
around me going dark, as stars press
their simple shapes into the sky.
I want to stay on the back porch
while the world tilts
toward sleep, until what I love
misses me, and calls me in.

-Dorianne Laux

Reading at Edmonds Bookshop, tonight!

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This evening at Edmonds Bookshop, at 6:30, I will be reading with four other northwest poets (click here to see the list), including my friend, Bellingham poet Jennifer Bullis.

This morning, sitting in bright sunlight under a row of (I think) Acacia trees, I reread Jennifer’s book Impossible Lessons (see a review, here), and tried to choose just one to share. It is a rich book — mythology, horses, babies, birds — and I happily recommend the whole of it to you. But here, just in case you have any questions, her poem, “The Answer.”

THE ANSWER

After the windstorm, a pileated woodpecker
works the dead trunk of a newly leaning maple.

He pulls his scarlet-crested head back
the full length of his black and white body

with each pounding stroke of his beak,
scattering moss, bark, bits of rotted wood

on the forest floor. I want to know
why his head is shaped like an anvil

and why he is fated to hammer
for his food. I want to know why

this particular maple snag has lost its footing
among so many of its neighbors.

I crave a sound rationale as to how
this one, of all of them, was singled out

by the beetles and fungi that killed it
in the first place. But I learn nothing

except by the woodpecker’s breaking off
his analysis of the tree and flashing past

all my questioning, the red crest of his head
a sweet and vivid and impossible lesson.

Louise Glück, “Presque Isle”

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Presque Isle, MichiganH

Here’s a poem by Louise Glück, winner of last year’s National Book Award for Poetry. This poem makes me think of something my teacher, Nelson Bentley, used to say, “Recurring memories are poems, asking to be written.”

PRESQUE ISLE

In every life, there’s a moment or two.
In every life, a room somewhere, by the sea or in the mountains.

On the table, a dish of apricots. Pits in a white ashtray.

Like all images, these were the conditions of a pact:
on your cheek, tremor of sunlight,
my finger pressing your lips.
The walls blue-white; paint from the low bureau flaking a little.

That room must still exist, on the fourth floor,
with a small balcony overlooking the ocean.
A square white room, the top sheet pulled back over the edge of the bed.
It hasn’t dissolved back into nothing, into reality.
Through the open window, sea air, smelling of iodine.

Early morning: a man calling a small boy back from the water.
That small boy — he would be twenty now.

Around your face, rushes of damp hair, streaked with auburn.
Muslin, flicker of silver. Heavy jar filled with white peonies.

–Louise Glück