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Kevin Craft, “My Clone”

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“[By the estate of poetry], I do not mean the estate over which the poetic imagination rules, whose bounds we do not know. Each poet has nothing more than a right of entry to it, and a patch of ground which he is at liberty to cultivate….by cultivating his holding each poet adds to the world of poetic imagination, and that therefore it can never be regarded as completely embodied — reason for discouragement and hope, and an earnest of the continuance of poetry.” Edwin Muir, The Estate of Poetry (1)

It had been awhile since I googled my friend, poet and editor extraordinaire Kevin Craft. It was a rewarding experience. Since our paths have diverged, his work on Poetry Northwest has continued to expand a well-deserved reputation. Here is a poem from his first book, Solar Prominence. May there be many more.

 

MY CLONE

frowns when he finds out he’s not alone.
Was grown from cells
scraped from the inside of my cheek.
I’m nobody’s second string,

he insists to the talk show host
egging us on. (Loud applause
from the studio audience.) I’m a self-
made man, not the other

way around. Steely-eyed and neatly
groomed, he’s as brash
as a dressing room mirror.
Backstage he takes me aside.

Nothing personal, he admits, running a hand
through his long black hair.
They put us on to air our differences,
is all. Thought I’d play ball.

He does, in fact, play soccer
in the Italian leagues.
He was shipped at cell’s first division
to a western fertility lab,

so that we grew up on opposite coasts, a case
of nurture versus second
nature. He is savvy
beyond his years and makes me seem

thwarted and unsure. And now he sniffs
at the guestroom cabernet, smoking a fat cigar.
Is this what it means to turn the other cheek?
Perhaps, he says, stretching

out on the double bed as if
he counts the same sheep I do before sleep
or reads the Dadaists for moral instruction.
As for second guessing, he adds,

you’re not the only one.

–Kevin Craft

Valerie Martinez, “Rock and Marrow”

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I came across VALERIE MARTÍNEZ at the Taos Summer Writers Conference, several years ago. I attended a reading, I think, though maybe it was a panel, and I bought her book, World to World, which I have been lucky to own ever since, and will be giving away in The Big Poetry Giveaway. (See my blogpost on April 13 for more information.)

Lisa D. Chavez calls these poems “lush and lovely” and notes that they “speak the secret languages of desire.” I like that, “languages,” plural. Although the poems are in English, reading them you drop through into other levels of language, like the “dark coin” of a child’s eye, or the doors that “become doors.” Here is something short, but richly evocative in exactly that way. You may also notice that with the “you” of the sixth line, and the directive of the sentence after, it becomes an instruction poem.

ROCK AND MARROW

Yes, yes, the inside of morning
is cheekbone, elbow, pelvis.
Elsewhere, as the chlorophyll shrinks
earthward, so does the steady rain.
I imagine the center of the planet
hot and colorful. You see,
it needn’t always be vivid and visible.
Lie low in this monochrome
tangle of limbs. I like it
vague and warm at the center
of the densest of things.

–Valerie Martinez (from World to World)

Pablo Neruda (1904-1973)

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“Keeping Quiet” by Pablo Neruda

Now we will count to twelve
and we will all keep still.

For once on the face of the earth,
let’s not speak in any language;
let’s stop for one second,
and not move our arms so much.

It would be an exotic moment
without rush, without engines;
we would all be together
in a sudden strangeness.

Fisherman in the cold sea
would not harm whales
and the man gathering salt
would look at his hurt hands.

Those who prepare green wars,
wars with gas, wars with fire,
victories with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.

What I want should not be confused
with total inactivity.
Life is what it is about;
I want no truck with death.

If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death.
Perhaps the earth can teach us
as when everything seems dead
and later proves to be alive.

Now I’ll count up to twelve
and you keep quiet and I will go.

—from Extravagaria (translated by Alastair Reid, pp. 27-29, 1974)

What I would really like to do is have you listen to my friend Madelon read this poem aloud.

Jack Gilbert, 1925-2012

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I have been telling myself, each week, that next week will be less busy; next week I will get more writing done. But each week quickly fills up with things to do: bad report cards, doctor’s appointments, eye appointments, visits to the veterinarian. Sometimes, good things: a call from an old friend, a poetry reading, a lovely lunch with my mother and sister, a choir concert. Even so, each morning I get up and try to put in some time on my novel rewrite. I pack it up and carry it with me. When I look back on these months, working on the novel will be one part of it. I have felt harassed, too busy, not joyful enough, but I already know that I will remember it differently, as a process I let myself be part of. My children’s lives; my mother’s life; my life. All good.

So, in that spirit, of “Failing and Flying,” here is an old favorite of mine, from poet Jack Gilbert.

FAILING AND FLYING

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like an antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.