Dancing with the Muse in Old Age

I cannot say enough about this amazing book by my good friend and long-time co-conspirator in all things creative, Priscilla Long. Watching Priscilla produce this book, reading drafts, devouring a number of her sources, has been a game-changer for how I think about aging, and how I want to behave in my next chapter.

To read the Northwest Prime Time review, follow this link: https://northwestprimetime.com/news/2022/nov/08/dancing-muse-old-age/

And, most important, sign up to attend the virtual book launch here:

There will be a virtual book launch at Elliott Bay Books November 15 at 6:00 PM: https://www.eventbrite.com/e/priscilla-long-dancing-with-the-muse-in-old-age-with-bethany-reid-tickets-429907824877

You can order the book through our sponsor, Elliott Bay Books, your local independent bookstore, or anywhere books are sold.

The Morning Write

Because a friend asked me to tell her about my morning journal habit, I’ve been thinking about what exactly it is that I do.

Complain. List things-to-do. List things done. Check off things done. Kvetch. Write letters to myself (Dear Wise Self: …). Record dreams. Groan. Write metaphors. List words (windy words, horse words, words pertaining to knots, synonyms for complain). Transcribe passages from books I’m reading. List titles and authors of books I have read (I keep this on an index page). Transcribe poems. Scribble new poems, or baldly terrible lines that might become new poems. Moan. List mean thoughts. List uplifting thoughts. Whine.

I have kept a journal since I was a teenager. There were earlier abortive attempts, for instance, a Christmas-gift diary with a key when I was eleven or so. Then, in 10th grade, Miss Caughey (pronounced Coy) assigned her students to keep a journal. We may have been reading Anne Frank.

I can still picture the image on my notebook (and tried but didn’t find it online). It was sort of a tree, sort of a kaleidoscopic blot with a yellow background. Miss Caughey required that we turn in our journal once a month. She would sometimes write a note to me, responding to a passage, but rarely. She taught five or six sections of English every day. I was confident that what I confided to the journal was more private than not.

My journals are not publishable, not earth-shattering, not gravity-defying. They are a hodge-podge, a mess. I sometimes remind myself that complaining in my journal is counter-productive, and that I should write what I want, not what I don’t want.

I used to write in spiral-bound notebooks, cheap ones, but in 2001 I bought my first Lee Valley journal, and I have filled 35 of them. Just this morning, I began the 36th, the last one I have on hand. I checked the online catalog and though they used to cost a reasonable $18.95, they are now priced $31.90. All paper supplies have gone up lately, my friend reminded me. These are handsome books with lined pages, 400 pages, plus index pages.The quality of their paper allows for double-sided writing (cheaper notebooks, not so much), so they are probably still worth it.

From the first page of my 2001 notebook:

I feel as though I am breaking and entering. I’ve resisted keeping my journal in a beautiful book — it demands too much. That I not scribble. That I avoid nonsense. That I write beautifully. This book will have to accept whatever I lay down, just as the cheap notebooks have. So I am writing in this book.

In this notebook I also found a dream about a friend who had died one year earlier, and this line:

I can believe that he, like George Harrison, was a spirit with a body on loan. Even so, I’d like him to CALL me.

I also found a two-page entry about trying to force one of my daughters to clean up a mess she had willfully made. It did not work out as I wished, and I ended up saying terrible things to her. (She was ten.) When I finally returned to her and apologized for losing it, she said, “Apology not accepted!” and stamped off to her room. (My husband cleaned up the mess.) Nineteen years later, she is still messy, by the way. Recently when I was helping her do some cleaning, she said, “If you had made us do chores, I would have better habits now.” Should I share this entry with her? (Probably not.)

At the end of the two pages, I reached an insight: my daughter was like the balky little mare I had when I was fifteen. One option (I wrote), was to let her have her head.

On 20 March, 2002, I wrote:

The washing machine, full of clothes and water, is broken, frozen, stuck, kaput. Damn!

And I wrote:

So I am writing in this notebook, 15 minutes each day in the goal.  “Writing every day is the key to becoming a writer.”

Reading Around

I read a number of book- or writing-related blogs, including CrimeReads and LitHub, not in any orderly way (you understand) but sort of when they hit my email at the right time and when I’m of the right mind.

Just now I am between big deadlines. (What does that mean?) Last week I turned in my portfolio for my Creative Nonfiction Class, and, inspired by 1) a haircut (long story there) and 2)  this quote from an interview at LitHub, I decided to go back to my mystery novel and finish it. For real. If nothing else, I will give a copy to the woman who cuts my hair.

I decided to share the LitHub quote with you because I want to make sure I can find it again.

If you want to read the entire feature (“5 Writers, 7 Questions, No Wrong Answers”), follow this link: https://lithub.com/lit-hub-asks-5-writers-7-questions-no-wrong-answers-4/

Talia Lakshmi Kolluri is the author of What We Fed to the Manticore, a collection of 9 stories. This is her response to the last question:

How do you contend with the hubris of thinking anyone has or should have any interest in what you have to say about anything?”

Talia Lakshmi Kolluri: I think I contend with it by assuming that nobody has any interest in what I have to say about anything which is why it’s always a nice surprise when people do! I wrote this book because I needed to write it. That’s the only reason I ever write anything, because the words must leave me through some avenue. Nobody is required to be interested in them at all. But if they are, I hope it’s because they needed to read them, and that they were helpful in some way.